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elenitahb: emergencyjimmychoos: (via ratherconfusing)
#let me write a fucking novel about all the feelings this episode gave me about sophie and tara #tara called her ‘soph’ #for one thing #they bicker all the time about their differing grifting techniques but then they always come to the same conclusion #and then they make fun of each other and are all challengy and competitive #but then tara just reaches over and sweeps something out of sophie’s hair fondly #because that’s just how they roll #and they played it so subtle and perfect and you can tell they’ve been friends for forever #like we know tara and we know sophie and we know they know each other #but we never knew how they interacted #and now we kind of do but we have only seen a glimpse #oh god it’s perfect #and sophie is in white and tara is in black #and they throw the bomb out the window because they are grifters #and they don’t know how to deal with that bomb shit #and then they have a drink #somebody stop me #leverage #things that are totally canon: sophie and tara have had phone sex #and also a lot of real sex
#oh god all of this #of all the ways they could have chosen to play this dynamic this was THE BEST #CAN WE JUST ADMIT THIS SHOW HAS THE BEST CANON ON TELEVISION #this is the most beautiful lady combo I’ve seen and I didn’t even have to imagine it #BEST CANON #leverage #this show is a magical unicorn born in a land of rainbows #I want to kiss this show on the mouth #I JUST LOVE EVERYTHING SO MUCH #soul stealers
In love.
(via glamaphonic)
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HARDISON: Going to plan B?
NATE: Technically, that would be plan G.
HARDISON: How many plans do we have? Is there, like a plan M?
NATE: Yeah. Hardison dies in plan M.
ELIOT: I like plan M.Leverage; 1.01 - The Nigerian Job
SOPHIE: So, what? The salt was plan B?
NATE: No, no. That’s plan M.
HARDISON: Don’t I… die in plan M?
NATE: Yeah, usually, yeah.
HARDISON: What you mean “usually”? How many plans do I die in?
NATE: [chuckles] C, F, and M through Q.
HARDISON: Oh, see, that’s a little close to home, man. Need to switch that up. How many plans does Eliot die in?
NATE: Uh, none. [he points at Parker] And none.
PARKER: None!
NATE: [pointing at Sophie] And, uh… So, there is a plan where he [points at Eliot] comes out of it with a scar that goes from the temple through the eye all the way down to the mouth-
PARKER: [to Eliot] Ooh! You’d look so cool with a scar!
SOPHIE: Wait, wait, wait, wait, wait. Can we go back? Let’s rewind.
HARDISON: Damn the scar, damn the scar-
NATE: [to Hardison] But you… you live in plan A.
SOPHIE: You skipped past me. You skipped past me.
NATE: No, you see, you see, it’s evolving. There’s a actually a plan-
SOPHIE: That’s creepy! Isn’t that creepy? He’s planning my death-
PARKER: To a glass eye!
NATE: I am- okay, here we go.Leverage; 4.10 - The Queen’s Gambit Job
Posted on August 29, 2011 via everything blows up, silly. with 223 notes
Source: thieves-r-us
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(via glamaphonic)
Posted on June 23, 2011 via Ethel Beavers did it! with 116 notes
Source: cerseilannister
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Leverage; 3.11 - The Rashomon Job
Rashomon effect; The Rashomon effect is the effect of the subjectivity of perception on recollection, by which observers of an event are able to produce substantially different but equally plausible accounts of it.
[….]
It is named for Akira Kurosawa’s film Rashômon, in which a crime witnessed by four individuals is described in four mutually contradictory ways.As @milpalabras said, THIS is how you do a filler episode.
Posted on August 24, 2010 via to an eye patch! with 248 notes
Source: elenitahb
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Eliot: She can’t act.
Nate: She can act when it’s an act.Leverage, season 1
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![hellyeahleverage:
emergencyjimmychoos:
Sophie: [to Eliot over comms] Okay, good, she’s feeling happy. Now, anchor the emotion: raise the champagne flute to your lips and take a nice long sip; and now every time she laughs or smiles, repeat that motion. She’s gonna link that to a nice, warm feeling; you can use that later.Nate: That, uh, drink thing - you’ve never used that on me, have you?Sophie: [takes a long sip of her drink] I would never.Nate: Of course not.](http://25.media.tumblr.com/tumblr_l6c68teEuB1qbs4q4o1_r2_500.jpg)
Sophie: [to Eliot over comms] Okay, good, she’s feeling happy. Now, anchor the emotion: raise the champagne flute to your lips and take a nice long sip; and now every time she laughs or smiles, repeat that motion. She’s gonna link that to a nice, warm feeling; you can use that later.
Nate: That, uh, drink thing - you’ve never used that on me, have you?
Sophie: [takes a long sip of her drink] I would never.
Nate: Of course not.Posted on July 31, 2010 via i live in a monarchy with 27 notes
Source: emergencyjimmychoos
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-HARDISON: (talking about the money they’ve just found) Ultraviolet checks out, paper checks out. The watermarks, the ink, it all checks out.
-SOPHIE: There’s a whole container of it from Iraq, of all places. It’s gotta be counterfeit.
-PARKER: No. It’s real. It feels real.
-ELIOT: Hey. What’ve you got going on? You and Hardison, what is it, like a creepy contest?Leverage; 1.02 - The Homecoming Job
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-NATE: Okay, listen, we have a world class killer here who’s going to ID Eliot, and we are not prepared for this at all, so I’m gonna pull the plug. I want everyone to meet me at the van in two minutes.
-ELIOT: Man..
-SOPHIE: I’m staying.
-NATE: I’m sorry, you’re what?
-SOPHIE: I’m staying.
-NATE: You’re staying? Sophie, Sophie, it’s the Butcher of Kiev.
-HARDISON: Have you ever been to Kiev? The Cake Maker of Kiev could whip all our asses. This is the Butcher.Leverage; 1.07 - The Wedding Job
Posted on April 3, 2010 via to an eye patch! with 22 notes
Source: elenitahb
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-SOPHIE: So this is, um…it’s what you do, right? You take footage of us on cons and you— you—download it into that?
-HARDISON: Yeah, I analyze it, I monitor comms, I scan for all police frequencies, I- (he looks at her) You had no idea I do all this, did you?
-SOPHIE: Well-
-HARDISON: Do- Does nobody respect the van? The van is important!Leverage; 2.07 - The Two Live Crew Job
Posted on March 31, 2010 via to an eye patch! with 66 notes
Source: elenitahb
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SOPHIE: It’s a good job you’re not claustrophobic, Eliot.
ELIOT: I was when I was a kid. (to Nate, giving him the rabbit) Take this damn thing.
NATE: Oh, all right.
PARKER: (to Eliot) Really? How’d you get over it?
NATE: (giving Parker the rabbit) Here, Parker.
ELIOT: I locked myself in a woodshed behind my house for a couple nights. After that, I was fine.
(Parker gives Hardison the rabbit)
PARKER: That is so funny. I was scared of the dark and did exactly the same thing!
(Flashback showing Parker as a kid being buried alive. Sophie, Eliot and Hardison stare at her)
ELIOT: That’s not the same thing.
(Sophie shakes her head)
ELIOT: What’s wrong with you?Leverage 2.06 - “The Top Hat Job”
(via elenitahb)
Posted on March 27, 2010 via to an eye patch! with 37 notes
Source: elenitahb
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(via elenitahb)
Leverage 1x12 - The First David Job
Parker enjoys a challenge.
Posted on March 24, 2010 via to an eye patch! with 18 notes
Source: elenitahb
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NATE: Come here. (Eliot, Parker and Hardison get closer) You guys are the most honorable people I have ever met in my life. You’ve become my family. My only family. I won’t forget that.
Leverage 2.15 - “The Maltese Falcon Job”
(via falulatonks : elenitahb)
“His name is Nate Ford and he’s a thief”
~glamaphonicPosted on March 21, 2010 via to an eye patch! with 58 notes
Source: elenitahb
![hariboo:
thieves-r-us:
HARDISON: Going to plan B?NATE: Technically, that would be plan G.HARDISON: How many plans do we have? Is there, like a plan M?NATE: Yeah. Hardison dies in plan M.ELIOT: I like plan M.
Leverage; 1.01 - The Nigerian Job
SOPHIE: So, what? The salt was plan B?NATE: No, no. That’s plan M.HARDISON: Don’t I… die in plan M?NATE: Yeah, usually, yeah.HARDISON: What you mean “usually”? How many plans do I die in?NATE: [chuckles] C, F, and M through Q.HARDISON: Oh, see, that’s a little close to home, man. Need to switch that up. How many plans does Eliot die in?NATE: Uh, none. [he points at Parker] And none.PARKER: None!NATE: [pointing at Sophie] And, uh… So, there is a plan where he [points at Eliot] comes out of it with a scar that goes from the temple through the eye all the way down to the mouth-PARKER: [to Eliot] Ooh! You’d look so cool with a scar!SOPHIE: Wait, wait, wait, wait, wait. Can we go back? Let’s rewind.HARDISON: Damn the scar, damn the scar-NATE: [to Hardison] But you… you live in plan A.SOPHIE: You skipped past me. You skipped past me.NATE: No, you see, you see, it’s evolving. There’s a actually a plan-SOPHIE: That’s creepy! Isn’t that creepy? He’s planning my death-PARKER: To a glass eye!NATE: I am- okay, here we go.
Leverage; 4.10 - The Queen’s Gambit Job
#you wish your show had the level of continuity and coherency and character development this show has in every episode](http://25.media.tumblr.com/tumblr_lqpkm5Wk2S1r1jl3zo1_500.png)

![hellyeahleverage:
elenitahb:
Leverage; 3.11 - The Rashomon Job
Rashomon effect; The Rashomon effect is the effect of the subjectivity of perception on recollection, by which observers of an event are able to produce substantially different but equally plausible accounts of it.[….]It is named for Akira Kurosawa’s film Rashômon, in which a crime witnessed by four individuals is described in four mutually contradictory ways.
As @milpalabras said, THIS is how you do a filler episode.](http://25.media.tumblr.com/tumblr_l7mogs8rmU1qzmd32o1_500.png)






