HARDISON!!!!11

liveblogging leverage apparently

“May I have this dance, Miss?” - 3x02, The Reunion Job

“Now, getting the rhythm is like dancing. Remember how it was when we took down Duberman? Remember that?” - 4x10, The Queen’s Gambit Job

(via hariboo)

fuckyeaheliotparkerhardison:

Leverage; 4.10 - The Queen’s Gambit Job

#it’s okay to want the hug eliot #lol forever

(via hariboo)

elenitahb:

Parker: His limp and these boots, I don’t like them. They’re weighing me down. Quick and light, that’s how I survive. You slow me down, you kill me.
Hardison: Hey, hey, Park, hey.
Parker: What?
Hardison: Hey. You had to be quick because you were alone. If you get caught, that’s it. I get it. But you’re not alone anymore. Look. Look at me. Look, you’re not alone. You’re not. You have a team. You have me. And I got you. I got you girl.

I swear sometimes I want to write love letters to everyone involved in this show’s writing for making this relationship one of the most believable, respectful, precious and carefully written relationships I’ve ever had the pleasure to watch. I feel like nowadays everything is about keeping the tension between two characters that are supposed to be together until you end up losing those characters along the way, but this show is doing such a great job with these two because you already know they’re gonna get there, and it’s their journey through all of it what makes them special. They’re not keeping the tension shaping the characters so they fit into that dynamic, they’re just letting them grow and evolve until they reach that point on their own. They come first as individuals who are still struggling with their past, trying to figure out what’s their place in this family and understanding that they’re not alone anymore, and you just know once they’re ready, everything will play out beautifully, but it’s how they get there what makes it perfect. 

(via hariboo)

fuckyeaheliotparkerhardison:

Hello? P-Parker? Parker!

#oh my god #the way he says her name #it’s this sudden rush of relief and panic and the mere sound of her voice is enough to give him that second of hope because she’s there and he can hear her and even if it’s just a phone he’s not alone she’s with him  #WEEPING OPENLY

#THEY HAVE BEEN SO FANTASTIC THIS SEASON  #and i’ve seen people complaining that they’re weird or stunted or something but you know what fuck that  #they aren’t normal and that’s okay  #they are doing things in their own way at their own pace and it’s beautiful so you can gtfo trying to ascribe your normative ideas of how a relationship is supposed to work or be on them  #THEY ARE PERFECT  #otp 4eva  #i like how you turned out  

(via glamaphonic)

capeinhand:

#ugh I just. this scene. the way she shouts at him for weighing her down because she’s still so afraid of caring about people this much and it feels like a weakness and he’s just flawless in proving that it’s the opposite because he’s got her back and he’s going to sing to her when she needs him to and give her parachutes so she can jump off hugeass buildings

(via capeinhand)

hariboo:

thieves-r-us:

HARDISON: Going to plan B?
NATE: Technically, that would be plan G.
HARDISON: How many plans do we have? Is there, like a plan M?
NATE: Yeah. Hardison dies in plan M.
ELIOT: I like plan M.

Leverage; 1.01 - The Nigerian Job

SOPHIE: So, what? The salt was plan B?
NATE: No, no. That’s plan M.
HARDISON: Don’t I… die in plan M?
NATE: Yeah, usually, yeah.
HARDISON: What you mean “usually”? How many plans do I die in?
NATE: [chuckles] C, F, and M through Q.
HARDISON: Oh, see, that’s a little close to home, man. Need to switch that up. How many plans does Eliot die in?
NATE: Uh, none. [he points at Parker] And none.
PARKER: None!
NATE: [pointing at Sophie] And, uh… So, there is a plan where he [points at Eliot] comes out of it with a scar that goes from the temple through the eye all the way down to the mouth-
PARKER: [to Eliot] Ooh! You’d look so cool with a scar!
SOPHIE: Wait, wait, wait, wait, wait. Can we go back? Let’s rewind.
HARDISON: Damn the scar, damn the scar-
NATE: [to Hardison] But you… you live in plan A.
SOPHIE: You skipped past me. You skipped past me.
NATE: No, you see, you see, it’s evolving. There’s a actually a plan-
SOPHIE: That’s creepy! Isn’t that creepy? He’s planning my death-
PARKER: To a glass eye!
NATE: I am- okay, here we go.

Leverage; 4.10 - The Queen’s Gambit Job

#you wish your show had the level of continuity and coherency and character development this show has in every episode

(via glamaphonic)

grrray:

Parker: You know what I’m in the mood for?

Hardison: What?

Parker: Pretzels. :)

(via fuckyeahparkerhardison)

fuckyeahparkerhardison:

We all know who’s on the other end of that look.

Oh yes we do! <3

panicman:

“You know what I’m in the mood for?”
“What?”
“Pretzels.”

The way they LOOK AT EACH OTHER, YOU GUYS!!!!

At the same time, this was OH SO TANTALIZING and left me craving A LOT MOAR.

Imma gonna interpret this and their closing scene in the last episode to mean that, parallel to what went down with Nate/Sophie, they are now SECRETLY TOGETHER. Yes please?

(via fuckyeahparkerhardison)

glamaphonic:

hellyeahleverage:

fuckyeaheliotparkerhardison:

PARKER: We’re investigating your colleague Matt Kerrigan’s “car accident”.
LEARY: So you don’t think it was an accident?
HARDISON: Of course not. She did the finger thing. You got that. Everybody gets that.
PARKER: (to Hardison) Did I do it right?
——-
PARKER: I did it right, didn’t I?
HARDISON: It was perfect.
PARKER: I know I did it right.
HARDISON: It was beautiful execution. Absolutely.
PARKER: Just like you taught me. I did it.
HARDISON: Yeah. Yeah, you did it. I liked it. Yeah.

Leverage; 2.01 - The Beantwon Bailout Job

hellyeahleverage:

letseyx:

(Eliot’s flashback)
Eliot: Do you have a corkscrew? And pull the blade out. Pull the blade out of the corkscrew. I’m gonna need you to calm down, sir. I’m gonna have to do this real quick.
Hardison: Pills! Pills!
Eliot: Oh yeah, that’s better, buddy. Put that in your mouth. I need to get this man to a comfortable place, do you have an office I can use?

Eliot: There you go. All right? Okay.
Hardison: Thank you! You are a lifesaver.
Eliot: yeah. You got it, man. No problem.
Hardison: I am in your debt.
Eliot: All right.

—-

(Hardison’s flashback)
Eliot: I got it. Come here, buddy. Hey, hand me that knife. I’m gonna have to cut you, man.
Hardison: WHAT THE HELL? No, no. My pills, my pills, my pills.
Eliot: Don’t worry, I got you.
Hardison: I’m good. I can breathe!
Eliot: Let’s get you somewhere quiet, man, where there’s no witnesses.

Eliot: Just take it easy. Jusy lay down there. Do you smell peppermint? I smell peppermint.
Hardison: Are you sure?
Eliot: (takes out the knife) Yeah. It’s a very distinctive smell. I’m gonna go sharpen this knife, maybe walk around the halls in the dark. Don’t leave.

hellyeahleverage:

elenitahb:

Leverage; 3.11 - The Rashomon Job

Rashomon effect; The Rashomon effect is the effect of the subjectivity of perception on recollection, by which observers of an event are able to produce substantially different but equally plausible accounts of it.
[….]
It is named for Akira Kurosawa’s film Rashômon, in which a crime witnessed by four individuals is described in four mutually contradictory ways.

As @milpalabras said, THIS is how you do a filler episode.